Two months between updates is far too long a gap, but at least part of the hiatus has been spent most profitably, reading James Meyer’s wonderful ‘Minimalism: Art & Polemics in the Sixties’, an exemplary work of art historical scholarship which contextualizes the work & its coming-into-being of Judd, Morris, Flavin, Andre, Truitt & others within the theoretical, critical & philosophical debates of its time, most enlightening & re-inspiring, given the engagement I formerly enjoyed with, particularly, the theoretical issues surrounding such practice: it’s high time to get back on that particular wagon & then processing such thinking in some practical form.
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