![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicwODqFaX6LONa0IpXw48y8jMJcmZjuxla6AYgilL64sUgBsHjG7mWZqiyJyiMfcrVAJwrO17uSA5ks0p5TIEu6e1Y_RtV1WmIqNnmFky57LwUZsPKcf3iGELG43-6dCOgNaazxg/s400/eurocrowd08.jpg)
graphite, putty eraser & watercolour/30x20cm
original source: 'The Guardian' 16/06/08
Presenting - after a brief hiatus (a half-time interval, perhaps) - another in the series of drawings (please refer to numbers 1 - 7 & the composite of the first 6) transcribed in synechdocical part-for-the-whole fashion from the large scale broadsheet double-spread original photograph of the Euro 2008 football crowd: again, the range of the facial expressions - some more obviously revealing of emotion than others, although inscrutablity can also speak volumes in such a context - is a delight.
Soundtrack:
Primarily
Test Match Special Eng v SA, 3rd test (4th day)
also
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHQo9fBOJvE5oQalDERYq7_iTLy2D8wUvAU2pfKRhy12A67FkXsYV6__rZrtYLxi7PebYElenoqpcO30gCC_KBxR-eS31Lsc1iU0QgmNs15qL8wqsVJwYxp_s020yzW2hi8RKBxA/s400/soundtrack030808.jpg)
Tunng 'Good Arrows'
Robert Wyatt 'His Greatest Misses'
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