The first flattened object seems a suitable example of what might be justifiably termed (at least as proposed) 'readymade Cubism', its triangular form inverted from the archetypal 'Hermetic' composition, of course (think something of the nature of Braque's 'Pedestal Table', for instance), but featuring a planar fold or two & synecdochal fragments of brand-identifying text, in the finest traditions of...
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