
Subtitled 'Histories and Theories of Practice', this most attractive book presents a trans-historical survey of predominantly Western drawing as both a discrete area of artistic endeavour & as inextricably linked to other forms of visual art & design, lavishly illustrated with examples of many of the masters & also rehabilitating some of those artists whom time might have forgotten or come to disregard.
The volume appears, upon browsing, a fascinating history of ideas (drawing often being the initial (re)presentation of, of course) & practical developments from the Renaissance to contemporary concerns, with its chapters featuring many an intriguing sub-heading, & seems destined, once engaged with seriously, to become a compelling & thought-provoking companion to one's personal drawing process.

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