Again, the colour scheme is predominantly monochrome, with the greys of the road surface & painted lines upon it, & the silver & black livery of the object, enlivened with touches of yellow & gold (which itself lends itself to referential comparisons with Braque's & Picasso's Cubism in its 'Analytical-Hermetic' phase, where ochre is habitually combined with the range of greys that constitute the form's rigorously reduced palette.

Note just how the object is positioned upon the painted line, & guided by the lightly scored line within, as though with mathematical precision...

Given such formal qualities, & unusually for the photographed objects, which are mostly left in situ as found, it was decided that, having already performed a pictorial function, this was a find worth keeping for future reference.
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