Again, the colour scheme is predominantly monochrome, with the greys of the road surface & painted lines upon it, & the silver & black livery of the object, enlivened with touches of yellow & gold (which itself lends itself to referential comparisons with Braque's & Picasso's Cubism in its 'Analytical-Hermetic' phase, where ochre is habitually combined with the range of greys that constitute the form's rigorously reduced palette.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGO9eqr0cGjhmoDYmvC8MA2LUC3tdUGVamDjlylX9o5ZHzcBs7MfApehzpC8y6ZlKNOV_KBvniuyCtclG1q8X1a3rCbnzIZsqItzCngs8F1xJ60AgBxeXaoqt0B3g8W4KnwSaW/s400/dbl_BOWroadkill190810a.jpg)
Note just how the object is positioned upon the painted line, & guided by the lightly scored line within, as though with mathematical precision...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWtIovUmL_pu2vu7tOqg55MChoOwR3dRIQk77A3QqSu9YPA-OB1fwhqEElc-K4BY96HreT8bRCGfD-lDb4afsVjQEIpdDdIuolE0gUHMoOFXAwdFkADytNRgD82Dn5iXO-68t2/s400/dbl_BOWroadkill190810b.jpg)
Given such formal qualities, & unusually for the photographed objects, which are mostly left in situ as found, it was decided that, having already performed a pictorial function, this was a find worth keeping for future reference.
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