The grid feature, as occasionally occurs in conjunction with the cans-as-found, seems at this time especially apt, given its bold structural quality, in relation to the 'roadkill' drawing & painting's recent developmental incorporation of deliberate horizontal & vertical compositional devices, of course: such serendipity is always to be embraced.
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Note the visual correspondence between the barred form of the the drainage grating & the barcode upon the surface of the can: all things we can work with, here...
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