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Below is featured a large-scale charcoal drawing of some Comice pears made some years ago during the course of my undergraduate studies, which seems to illustrate a much deeper level of engagement with the subject & more profound aesthetic experience altogether. This piece utilizes gorgeous, heavyweight Fabriano ‘Rosaspina’ paper, intended for printmaking but wonderfully receptive as a support for charcoal too, the surface of which breaks down easily to allow access to an underlying soft, crumbly texture perfect for retaining the marks of a drawing’s process, a record of its making and revisions (the drawing in question, like many of its contemporary fellows, was heavily worked over a period of time), layers of memory fixed in physical form, the scoring of the surface echoing that occurring on the pears with the passage of time, becoming a particular physical aspect of the drawing-as-an-object (as opposed to it being ‘merely’ two-dimensional) and incidentally giving the drawing something of the appearance of – perhaps somewhat ironically – an aged photograph, transparency or grainy film still. More of such work can be found on my art & design website, in the drawings gallery via the home page.
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