Sunday, December 13, 2015

White Pears #18

Today the opposite of tomato is Crumbling the Antiseptic Beauty

(Re)presenting the very latest in the series of paintings taking a selection of the whitewashed model pears as subject/object-matter, the final all-over surface being the result of a single two-hour painting session yesterday afternoon, the textures again being layered upon each other as the process progressed to a point of conclusion, as observation prompts constant revision until something of a representation of the thingness of things in space, Braque's tactile space, is achieved, producing another palpably physical thing, its surface described by light as are the models' & their immediate environment.

'White Pears #18'
oil and acrylic on canvas/10" x 14"/December 2015



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In Other Matters

It's delightful to be able to report that once again it's Moon Wiring Club season, with, on this particular occasion, a veritable cornucopia of three simultaneous releases, comprising the vinyl LP 'Why Does My House Make Creaking Noises?', the CD 'Playclothes From Faraway Places' & the glossy brochure 'The Lovely Day', the latter expanding upon the music's accompanying 'explanatory' artwork (which of course only serves to deepen the overarching (non)sense of the curious and uncanny goings-on in Clinkskell) which is, as ever, such an integral part of the whole.
 







The artwork is of course ravishing, whilst the music contained within, in both its analogue & digital forms, marks a development from the signature sound - although the familiar elements are there, the de-/re-contextualized, disembodied, clipped terribly English found voices, etc - into something noticeably more 80s' electronic, more synthesised sounding, more danceable dare one opine (albeit as a non-dancer), the drum machine beat-driven 'tunes' alternating with more atmospheric, beat-free pieces where one can feel the ghostly mists coiling: it's wonderful stuff, comfortably unsettling in the best possible way, utterly compelling. Nice one, again, Mr Hodgson (& the cast of characters).



Wednesday, December 09, 2015

White Pears #17


The latest in the current series of small-format oil paintings, processed for the most part in one session, sees a return to the whitewashed model pears as subject/object matter.
A certain amount of textural underpainting was performed in acrylic, with such texture relating to the grid-form of the brick- & mortar-work beneath the sheet of white paper that serves as the background to the still life composition upon the white melamine shelf as it exists in actual space & is represented from observation

'White Pears #17'
oil and acrylic on canvas/10" x 14"/December 2015


 
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Tuesday, December 01, 2015

Ten Years After: an Anniversary


Today marks the 10th anniversary of the first tentative explorations into cyberspace of the blog, originally titled ‘The Life Aesthetic…’ with the intention of musing upon & recording such subjects as might be appropriate to the living of, that has evolved into ‘The Opposite of Tomato’ & the point we are at creatively, suitably immersed & influenced, today.
 
Given such a momentous occasion, it is of course only right & proper, perhaps, that we should take stock & celebrate with a game of tennis with Richie Tenenbaum in a tent in Tenby, but, instead, the morning has been spent productively in the bringing to a conclusion the latest painting, this time featuring as subject/object matter another pair of yellow-skinned pears sourced by the very wonderful A, adding slightly more colour to recent proceedings, this painting again processed across two sessions, the medium thickly & rapidly applied in the interests of achieving a more tactile, ‘immediate’ surface & imbuing the painting itself with a more ‘object-like’ quality, described by light as, of course, are the forms represented within, thus setting-up a particular visual ‘dialogue’.

'10th Anniversary Pears'
oil on canvas/10" x 14"/November - December 2015
 
 

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