Today the opposite of tomato is just like honey
Presenting a drawing that both returns to an occasional theme of late last year & earlier this in that it contains a certain narrative element, although in this particular instance this pertains more to the process of its making than, necessarily, to the composition of still objects whilst, breaking new ground, consequently includes a visual signifier of what proved to form part of the soundtrack to depicted within the limits of the picture plane.
The story goes: inspired by the inclusion of the Jesus & Mary Chain’s ‘Just Like Honey’ as the soundtrack to the closing scenes of ‘Lost in Translation’, watched again on Saturday evening, the vinyl copy of the ‘Psychocandy’ album containing & opening with, indeed, the said music, thought/hoped to have been retained within those examples of the LP collection that survived the extensive cull of yore, was gladly found there amongst & extracted for such purposes as appreciating the very fact of its physical existence & with the intention of soon indulging in the pleasure of playing & listening to this original artefact, in its glorious entirety beyond ‘Just Like Honey’.
Subsequently, the drawing process began, focussed solely on representing the composition of miniature pears on the horizontal plane in the foreground, the LP sleeve propped face-on behind, in eyeline & there as part of the ambient visual ‘noise’ but unconsidered for inclusion within the picture plane. Until such time, that is, that A made the suggestion that such might make an interesting addition to & juxtaposition within the composition, duly considered, appraised favourably & acted upon as the process developed, with the result thus, incorporating an element of text & design, & adding a vertical 'stop' to the suggestion of horizontal recession beyond the objects which might then draw the eye to the essential flatness of the surface of the picture plane:
graphite & putty eraser/20x30cm
Soundtrack:
Jesus & Mary Chain 'Psychocandy'
1000 Violins 2 x John Peel sessions
Not just a welcome fix of ‘Psychocandy’, inevitably, the electric crackle & fizz of which is enhanced by the vinyl experience, but more analogue listening with a further exploration of the cassettes of Peel sessions archives & a most enjoyable re-acquaintance with the tuneful delights & wonderful titles of 1000 Violins: excellent stuff.
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