Unable to keep away for very long, my obsession with the double black lines (of previous posts 1, 2 & 3) intensifies. These images return to compositional concerns involving changes in the underlying road surface & also the presence & interaction of other road markings which tend to occur at junctions.
Here's another obsessive art project presented in photographic form, 'Finding Shelley', that has recently been brought to my attention, coincidentally featuring information found at least near if not exactly at the roadside, & being even more coincidentally the work of another Cheltenham Fine Art graduate.
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